[NIFL-POVRACELIT:1527] Do You Know What it Means to Lose New Orleans?

From: Mary Ann Corley (macorley1@earthlink.net)
Date: Tue Sep 06 2005 - 11:08:25 EDT


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Subject: [NIFL-POVRACELIT:1527] Do You Know What it Means to Lose New Orleans?  
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Do You Know What It Means to Lose New Orleans?
07:32 PM CDT on Saturday, September 3, 2005

by Anne Rice

What do people really know about New Orleans?

Do they take away with them an awareness that it has always been not
only a great white metropolis but also a great black city, a city where
African-Americans have come together again and again to form the
strongest African-American culture in the land?

The first literary magazine ever published in Louisiana was the work of
black men, French-speaking poets and writers who brought together their
work in three issues of a little book called L'Album Littéraire. That
was in the 1840's, and by that time the city had a prosperous class of
free black artisans, sculptors, businessmen, property owners, skilled
laborers in all fields. Thousands of slaves lived on their own in the
city, too, making a living at various jobs, and sending home a few
dollars to their owners in the country at the end of the month.

This is not to diminish the horror of the slave market in the middle of
the famous St. Louis Hotel, or the injustice of the slave labor on
plantations from one end of the state to the other. It is merely to say
that it was never all "have or have not" in this strange and beautiful
city. Later in the 19th century, as the Irish immigrants poured in by
the thousands, filling the holds of ships that had emptied their cargoes
of cotton in Liverpool, and as the German and Italian immigrants soon
followed, a vital and complex culture emerged.

Huge churches went up to serve the great faith of  the city's
European-born Catholics; convents and schools and orphanages were built
for the newly arrived and the struggling; the city expanded in all
directions with new neighborhoods of large, graceful houses, or areas of
more humble cottages, even the smallest of which, with their
floor-length shutters and deep-pitched roofs, possessed an undeniable
Caribbean charm.

Through this all, black culture never declined in Louisiana. In fact,
New Orleans became home to blacks in a way, perhaps, that few other
American cities have ever been. Dillard University and Xavier University
became two of the most outstanding black colleges in America; and once
the battles of desegregation had been won, black New Orleanians entered
all levels of life, building a visible middle class that is absent in
far too many Western and Northern American cities  to this day.

The influence of blacks on the music of the city and the nation is too
immense and too well known to be described. It was black musicians
coming down to New Orleans for work who nicknamed the city "the Big
Easy" because it was a place where they could always find a job. But
it's not fair to the nature of New Orleans to think of jazz and the
blues as the poor man's music, or the music of the oppressed.

Something else was going on in New Orleans. The living was good there.
The clock ticked more slowly; people laughed more easily; people kissed;
people loved; there was joy.  Which is why so many New Orleanians, black
and white, never went north. They didn't want to leave a place where
they felt at home in neighborhoods that dated back centuries; they
didn't want to leave families whose rounds of weddings, births and
funerals had become the fabric of their lives. They didn't want to leave
a city where tolerance had always been able to outweigh prejudice, where
patience had always been able to outweigh rage. They didn't want to
leave a place that was theirs.

And so New Orleans prospered, slowly, unevenly, but surely - home to
Protestants and Catholics, including the Irish parading through the old
neighborhood on St. Patrick's Day as they hand out cabbages and potatoes
and onions to the eager crowds; including the Italians, with their
lavish St.  Joseph's altars spread out with cakes and cookies in homes
and restaurants and churches every March; including the uptown
traditionalists who seek to preserve the peace and beauty of the Garden
District; including the Germans with their clubs and traditions;
including the black population playing an ever increasing role in the
city's civic affairs.

Now nature has done what the Civil War couldn't do. Nature has done what
the labor riots of the 1920's couldn't do. Nature had done what "modern
life" with its relentless pursuit of efficiency couldn't do. It has
done what racism couldn't do, and what segregation couldn't do either.
Nature has laid the city waste - with a scope that brings to mind the
end of Pompeii.

I share this history for a reason - and to answer questions that have
arisen these last few days. Almost as soon as the cameras began panning
over the rooftops, and the helicopters began chopping free those trapped
in their attics, a chorus of voices rose. "Why didn't they leave?"
people asked both on and off camera. "Why did they stay there when they
knew a storm was coming?" One reporter even asked me, "Why do people
live in such a place?"

Then as conditions became unbearable, the looters took to the streets.
Windows were smashed, jewelry snatched, stores broken open, water and
food and televisions carried out by fierce and uninhibited crowds.  Now
the voices grew even louder. How could these thieves loot and pillage in

a time of such crisis? How could people shoot one another? Because the
faces of those drowning and the faces of those looting were largely
black faces, race came into the picture. What kind of people are these,

the people of New Orleans,  who stay in a city about to be flooded, and
then turn on one another?

Well, here's an answer. Thousands didn't leave New Orleans because they
couldn't leave. They didn't have the money. They didn't have the
vehicles. They didn't have any place to go. They are the poor, black and
white, who dwell in any city in great numbers; and they did what they
felt they could do - they huddled together in the strongest houses they
could find. There was no way to up and leave and check into the nearest
Ramada Inn.

What's more, thousands more who could have left stayed behind to help
others. They went out in the helicopters and pulled the survivors off
rooftops; they went through the flooded streets in their boats trying to
gather those they could find. Meanwhile, city officials tried
desperately to alleviate the worsening conditions in the Superdome,
while makeshift shelters and hotels and hospitals struggled.

And where was everyone else during all this? Oh, help is coming, New
Orleans was told. We are a rich country. Congress is acting. Someone
will come to stop the looting and care for the refugees.  And it's true:
eventually, help did come. But how many times did Gov. Kathleen Blanco
have to say that the situation was desperate? How many times did Mayor
Ray Nagin have to call for aid? Why did America ask a city cherished by
millions and excoriated by some, but ignored by no one, to fight for its
own life for so long? That's my question.

I know that New Orleans will win its fight in the end. I was born in the
city and lived there for many years. It shaped who and what I am. Never
have I experienced a place where people knew more about love, about
family, about loyalty and about getting along than the people of New
Orleans. It is perhaps their very gentleness that gives them their
endurance.

They will rebuild as they have after storms of the past; and they will
stay in New Orleans because it is where they have always lived, where
their mothers and their fathers lived, where their churches were built
by their ancestors, where their family graves carry names that go back
200 years. They will stay in  New Orleans where they can enjoy a
sweetness of family life that other communities lost long ago.

But to my country I want to say this: During this crisis you failed us.
You looked down on us; you dismissed our victims; you dismissed us.
You  want our Jazz Fest, you want our Mardi Gras, you want our cooking
and  our music. Then when you saw us in real trouble, when you saw a
tiny  minority preying on the weak among us, you called us "Sin City,"
and turned your backs.  Well, we are a lot more than all that. And
though we  may seem the most exotic, the most atmospheric and, at times,
the most  downtrodden part of this  land, we are still part of it. We
are  Americans. We are you.
------ 
Anne Rice is the author of the forthcoming novel "Christ the Lord:  Out
of Egypt."
Online at:
http://www.wwltv.com/topstories/stories/wwl090305annerice.21ad697f.html



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